The object of desire and the way human beings interact with each other are at the centre of Cyril Lepetit's works.

We’ve lost the hearts and minds... creates an exhibition involving the artists from the latest issue of Reza Aramesh's Centrefold scrapbook.  Centrefold attempts to record a non-linear art history (local) through the view of an artist (Aramesh), rather than echo how art is recorded and fictionalised by art historians.

The Beautiful Children exhibition hangs an uncomfortable collection of images invisioning strange children of uncertain futures.

The Beautiful Children consists of a series of scenes that collide to re-animate the stomach chamber of an Iguanodon dinosaur.