Curatorial Perspective
Curatorial Perspective
Submitted by Colm Lally on Wed, 2006-04-12 09:31.I realise that I posted some information about 'Curating, Immateriality, Systems: On Curating Digital Media' without explaining my interest in this.
MODEL FROM KURATOR.ORG:
- #!/bin/bash
assumption="traditional curating follows a centralised network model"
echo "$assumption"
if [ "$assumption" ]
then
echo "what is the position of the curator within a distributed network model?"
fi
Paul Baran's Model for a Distributed Network, 1964 courtesy RAND.
"kurator.org extends some of the online systems that question the role of the curator in the curatorial process of selection, presentation and distribution of immaterial artworks (most notably runme, artport or low-fi)."
I think our project overlaps with the above under the headings 'presentation' and 'distribution', I am less interested in exploring ideas around 'selection' or 'the role of the curator'.
By 'presentation' i am interested in the presentation of artifacts such as software art; also the presentation of an art event, for example a live webcam of a performance; or the presentation of documentation of an art object or event.
By 'distribution' i am interested less in who controls the distribution, but more the technology, infrustructure or interface.
Chris I like your idea about leaving a trace. In some ways this is what E:vent is all about. We try to initiate discussions around the activities that happen here, at the moment we are using the functionality provided by this web interface such as blogs and online forums. These are interesting traces because they are complex and unexpected and have knowledge creation value. But I would also but interested in discovering more innovative tracing materials.
Exhibition versus archive
Working from a few examples I'm concerned with the distinction between exhibition and archive. The run me site appears to be more about collating and collecting works and not focused upon exhibiting them.
I'd be interested to know the degree to which an exhibition of digital should share some of the values of a traditional exhibition. For example, the experience of visiting a large gallery is rich in character: involving queuing, meeting people, physical effort, discovery, homage, etc.. Each of which may be valuable feature of the experience. For instance, I think most would agree that the experience of viewing cannot be rushed. How much of such a traditional view would be evident in Liquid?
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Traces
The trace idea certainly has mileage as something to prototype. I'm not sure how it works in a truly distributed system — but that's just implementation detail which we can thrash out.